As this captive Jewish jeweler who is given a

As such, one finds the image of this deserted street
that is littered with so many suitcases of all the Jewish people who have been
taken away by the Nazi soldiers. There is another scene that highlights the
facial expression of this captive Jewish jeweler who is given a handful of
teeth to be mined for fillings. In the later part of the film, the director
shows a snowy sky that is in fact the raining ashes coming from the mass
exhumation of the Jews in one of the concentration camps. In another instance
the director shows the immense panic of his Jewish prisoner who is not able to
find his identity papers as an armed ill-tempered soldier screams at him
(Spielberg n.p.). Among so many stirring scenes, the audience would surely
remember some for a long time as they evoke the emotions of empathy. The
depiction of the pain and suffering of the innumerable Jews in the
concentration camps being tortured by the sheer inhumanity of the Nazi soldiers
leaves a lasting impression on the minds for sure.

     There can
be no denial that the film exudes the excellent cinematographic work that can
communicate with the audience with utmost effectiveness as well as catapult the
affective charm of the cinematic text. Janusz Kaminiski’s appealing
black-and-white cinematography also portrays the character of Oskar Schindler
as a mesh of supreme confidence and opportunism, while this is contrasted to
the surmounting hardships and imminent jeopardy of the Jewish people. Toward
the beginning, when Schindler takes over the kitchenware factory and occupies
this apartment from where an affluent Jewish family has been evicted by the
Nazis, he does not come across to be a heroic character. The director
juxtaposes the grandeur and pomp encompassing Schindler’s lifestyle, while the
Jewish people are sent to the Cracow ghetto. When the ghetto gets evacuated,
these Jews are sent to Plaszow that is overseen by Amon Goeth, a cruel, cold-hearted
SS commandant. Oskar shows no sign of empathy toward the fate of the thousands
of Jews toward the first part of the film, and is only bent on making profit
for himself through his business.

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     The
character of Goeth is played with excellence by Ralph Fiennes. The performances
of Fiennes and Neeson are only massively complimented by the acting prowess of
Ben Kingsley who portrays the character of Stern who is rather reserved and
wary as a person. A Jew himself, Stern is the business manager of Schindler
whom the business trusts whole-heartedly. Spielberg shows his quintessence
through the characterization in the film that makes way for the generalized
picture of the haplessness of thousands of Jewish prisoners. There is a scene
in the film where Oskar and his girlfriend witness the evacuation of the ghetto
from a hilltop when the imagery of this little girl in red makes Oskar
comprehend the horror of the actions by the Nazi army. Later in the film,
Schindler gets briefly arrested for kissing a Jewish female during a party.
While kissing females is a common practice for the central character, he is
astonished to know that kissing a Jew is forbidden on grounds of racial
disparity. At this juncture, he finally comes to comprehend how irrational and
murderous the world has come to be in the wartime. He finally intervenes to
save the lives of Jews.

     It needs
to be reckoned that the tension in the entire narrative of the cinematic work
comes from the omniscient threat of violence. Nonetheless, the stalwart
director goes on to portray the looming ambiance of bloodshed, violence and
death in relatively fewer scenes. In the scenes that depict murderous acts, the
audience sees how Goeth acts as a sniper as he casually aims at the prisons
with this high-powered rifle and kills them. Spielberg brings out the sheer
objectivity and inhumanity that encompasses the acts of killing the Jews in
this film. There are no scenes that show how the masses are pushed inside the
gas chamber, but the audience knows that death is the inevitability that
threatens the lives of thousands of Jews, while Schindler becomes desperate in
saving as many Jewish lives as possible. The actions are shown in the linear
narrative, while space and time are compressed in the course of the filmic
text.

     Among the
various exceptional elements that catapult the cinematic work to perfection,
the editing by Michael Kahn should be mentioned discreetly. The film portrays
the perfect balance between dramatic elements and realism. Moreover, the
background score composed by John Williams constitutes the soul of the film as
the music sets up the somber mood. The violin solos leaves a lasting impression
on the audience augmenting the affective impact of the entire film. It would be
correct to say that the director leaves no stone unturned to reach out to the
spectators, and make the filmic text a memorable one that would be cherished
for a long time. He uses the cinematic techniques to bring out the thematic
content of the film with effectiveness. The film uses colored scenes only when
the Jews saved by Schindler come to pay their respects to the grave of Oskar
Schindler. The entire narrative evokes the emotions of the audience, and makes
them ponder about the film even long after having finished watching the
narrative.

     Indeed,
it would be apt to say that the portrayal of the holocaust makes the audience
understand the utter inhuman nature of genocide. Moreover, the filmic text
exposes the horrors of war and the severe impact on the lives of innocent
people that is represented through the haplessness of the Jews who are taken
captive by the Nazis. The film shows how the happy families of thousands of
Jews are left to perish as the Nazis exercise their unending cruelty on the
innocent lives. People get killed indiscriminately, while Oskar is only able to
save eleven hundred Jews with all his riches and untiring efforts. Stern
rightly says toward the end of the narrative that Oskar has done enough to save
the Jews, but Oskar himself is not convinced as he breaks down saying that he
could have saved about a dozen more people with his car and gold pin. The
audience can understand how the ring made by the Jews becomes invaluable to
this man who once valued nothing else but money. While the film portrays the
gradual change of Oskar into a selfless man endeavoring to save Jewish lives,
it also propagates the message of humanity and goodness. Placed in
juxtaposition to the sheer haplessness of the Jews, Oskar’s act of humanity makes
him a figure worth apotheosis as he proves to have the sense of morality and
conscience without getting influenced by the encompassing brutality of the
Nazis toward the Jews.

     The film
portrays how the world is construed differently by various people. While Oskar
Schindler transforms from being a materialist to a humanist, the Jews
understand the horrors of war like no one else, and value their lives more than
anything else. On the other hand, the Nazis can be found to be inhuman in their
approach toward the Jews as they segregate them, torture them, and finally aim
to exterminate all of them. Portraying the horrors encompassing the holocaust,
the film explores the traits of basic human nature through the character of
Oskar whose transformation of perspective is the main theme of the filmic text.
The director shows how humanity and conscience can find its way amidst the
goriness of violence and inhumanity of the concentration camps. While there
have been many fictional films based on the holocaust, this cinematic endeavor
stands out owing to the artistic excellence of Spielberg and his stirring
portraiture of a true occurrence on the screen. The film is a fictional
representation of history that could have otherwise been forgotten amidst the
surmounting horror of the holocaust.

     Oskar
Schindler’s act of humanity comes at the cost of losing all his riches. But, it
becomes evident that he does not care about having money any more. The
holocaust and the ghastly terror of the Nazi forces helps bring out the humane
characteristics of this man who was one know to be an uncompromising
businessman. The emancipation of the eleven hundred Jews would have made way
for the later generations to carry forward the legacy of Oskar Schindler, while
the film expresses how these Jews later came to be known as Schindler Jews. While
the entire historic episode of the holocaust and the omnipotence of the Nazis
prior to the defeat in the Second World War is characterized by bloodshed,
extremism and inhumanity, Oskar can be taken to be the epitomic figure of
humanity and goodness. Spielberg also delivers the message of omnipotence of
human emotions that goes on to undermine the value of materialistic pleasures
and riches, thereby passing a latent commentary about the correct way of life.

     The film
also critiques through the transformation of Oskar Schindler the social ills of
racial discrimination and prejudice that can thwart the wellbeing of a section
of the society made to be on the receiving end of systematic violence. The film
has gained immortality in the memory of the audience, and is still extremely
relevant as a social document that explores the history of the holocaust during
the Second World War. The thematic content deals with issues of religious
fanaticism of the Nazi ideology, subordination of the Jews, and violence meted
out to the innocent people of the society. The film can very well be described
to be one of the very best cinematic works by Spielberg, and the same endeavor
was also acknowledged at the Academy Awards. Oskar’s character and his
interpersonal tie with Stern remain with the audience for a long time, while
the filmic text also shows the retributive actions faced by the German soldiers
after their defeat in the war. The film is highly relevant even in the present
times of the society owing to the portrayal of genocide and search for
humanity.